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		<title>&#8216;A Behanding In Spokane&#8217; at SF Playhouse: laugh till your sides ache but beware of flying body parts</title>
		<link>http://theatrestorm.com/2012/05/25/a-behanding-in-spokane-at-sf-playhouse-laugh-till-your-sides-ache-but-beware-of-flying-body-parts/</link>
		<comments>http://theatrestorm.com/2012/05/25/a-behanding-in-spokane-at-sf-playhouse-laugh-till-your-sides-ache-but-beware-of-flying-body-parts/#comments</comments>
		<pubDate>Fri, 25 May 2012 20:48:26 +0000</pubDate>
		<dc:creator>Charles Kruger</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alex Hurt]]></category>
		<category><![CDATA[Bill English]]></category>
		<category><![CDATA[Cliff Caruthers]]></category>
		<category><![CDATA[Daveed Diggs]]></category>
		<category><![CDATA[Jacquelyn Scott]]></category>
		<category><![CDATA[Martin McDonagh]]></category>
		<category><![CDATA[Melissa Quine]]></category>
		<category><![CDATA[Michael Palumbo]]></category>
		<category><![CDATA[Miyuki Bierlein]]></category>
		<category><![CDATA[Neil Simon]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[Rod Gnapp]]></category>
		<category><![CDATA[SF Playhouse]]></category>
		<category><![CDATA[Susi Damilano]]></category>

		<guid isPermaLink="false">http://theatrestorm.com/?p=1302</guid>
		<description><![CDATA[(Charles Kruger) (Rating: 4 Stars » Highly Recommended) Carmichael (Rod Gnapp) is on a quest. Many years ago, outside Spokane, a group of drunken &#8220;hillbillies&#8221; kidnapped him, tied him to a railroad track, and watched as an oncoming locomotive severed his hand. They absconded with the hand and used it to wave goodbye at the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theatrestorm.com&#038;blog=25551506&#038;post=1302&#038;subd=theatrestorm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>A.C.T. faces up to Samuel Beckett with &#8216;Endgame&#8217; and &#8216;Play&#8217;</title>
		<link>http://theatrestorm.com/2012/05/23/a-c-t-faces-up-to-samuel-beckett-with-endgame-and-play/</link>
		<comments>http://theatrestorm.com/2012/05/23/a-c-t-faces-up-to-samuel-beckett-with-endgame-and-play/#comments</comments>
		<pubDate>Wed, 23 May 2012 23:29:47 +0000</pubDate>
		<dc:creator>Charles Kruger</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[A.C.T.]]></category>
		<category><![CDATA[Alexander V. Nichols]]></category>
		<category><![CDATA[Annie Purcell]]></category>
		<category><![CDATA[Anthony Fusco]]></category>
		<category><![CDATA[Barbara Oliver]]></category>
		<category><![CDATA[Bill Irwin]]></category>
		<category><![CDATA[Candice Donnelly]]></category>
		<category><![CDATA[Carey Perloff]]></category>
		<category><![CDATA[Daniel Ostling]]></category>
		<category><![CDATA[Endgame]]></category>
		<category><![CDATA[Fabian Obispo]]></category>
		<category><![CDATA[Giles Havergal]]></category>
		<category><![CDATA[Nick Gabriel]]></category>
		<category><![CDATA[René Augesen]]></category>
		<category><![CDATA[Samuel Beckett]]></category>

		<guid isPermaLink="false">http://theatrestorm.com/?p=1284</guid>
		<description><![CDATA[(Charles Kruger) (Rating: 3 Stars » Recommended) Samuel Beckett was not a playwright who catered to audience whims. His works are difficult to understand, bizarre, wordy, repetitive, yet riveting. Nobody else writes like Beckett, and, with effort, nobody satisfies in quite the same way either. He deals with existential questions and does not believe in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theatrestorm.com&#038;blog=25551506&#038;post=1284&#038;subd=theatrestorm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Hillbarn Theatre: &#8216;The Producers&#8217; will make you chortle with delight</title>
		<link>http://theatrestorm.com/2012/05/10/hillbarn-theatre-the-producers-will-make-you-chortle-with-delight/</link>
		<comments>http://theatrestorm.com/2012/05/10/hillbarn-theatre-the-producers-will-make-you-chortle-with-delight/#comments</comments>
		<pubDate>Thu, 10 May 2012 22:43:18 +0000</pubDate>
		<dc:creator>Charles Kruger</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Dan Demers]]></category>
		<category><![CDATA[Gary Stanford Jr.]]></category>
		<category><![CDATA[Greg "Suds" Sudmeier]]></category>
		<category><![CDATA[Greg Lynch]]></category>
		<category><![CDATA[Hillbarn Theatre]]></category>
		<category><![CDATA[Kate Paul]]></category>
		<category><![CDATA[Kay "Kiki" Arnaudo]]></category>
		<category><![CDATA[Luke Chapman]]></category>
		<category><![CDATA[Mel Brooks]]></category>
		<category><![CDATA[Raymond J. Mendonca]]></category>
		<category><![CDATA[Ron Lopez Jr.]]></category>
		<category><![CDATA[The Producers]]></category>

		<guid isPermaLink="false">http://theatrestorm.com/?p=1241</guid>
		<description><![CDATA[(Charles Kruger) (Rating: 3/5 Stars » Recommended) Mel Brooks came to the startled attention of the American public with his 1968 debut film, The Producers. Critic Roger Ebert recalls encountering Mr. Brooks in a New York elevator shortly after it opened and hearing a lady announce, &#8220;Mr. Brooks, I think your film is vulgar.&#8221; Brooks [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theatrestorm.com&#038;blog=25551506&#038;post=1241&#038;subd=theatrestorm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Cutting Ball Theater&#8217;s &#8216;Tenderloin&#8217; is a gem of empathy and compassion</title>
		<link>http://theatrestorm.com/2012/05/07/cutting-ball-theaters-tenderloin-is-a-gem-of-empathy-and-compassion/</link>
		<comments>http://theatrestorm.com/2012/05/07/cutting-ball-theaters-tenderloin-is-a-gem-of-empathy-and-compassion/#comments</comments>
		<pubDate>Tue, 08 May 2012 00:32:49 +0000</pubDate>
		<dc:creator>Charles Kruger</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Annie Elias]]></category>
		<category><![CDATA[Cuttingball Theater]]></category>
		<category><![CDATA[David Sinaiko]]></category>
		<category><![CDATA[Erin Moro]]></category>
		<category><![CDATA[Frederic O. Boulay]]></category>
		<category><![CDATA[Leigh Shaw]]></category>
		<category><![CDATA[Matt Stines]]></category>
		<category><![CDATA[Michael Kelly]]></category>
		<category><![CDATA[Michael Locher]]></category>
		<category><![CDATA[Michelle Mulholland]]></category>
		<category><![CDATA[Rebecca Frank]]></category>
		<category><![CDATA[Siobhan Doherty]]></category>
		<category><![CDATA[Stephanie Buchner]]></category>
		<category><![CDATA[Tenderloin]]></category>
		<category><![CDATA[Tristan Cunningham]]></category>

		<guid isPermaLink="false">http://theatrestorm.com/?p=1232</guid>
		<description><![CDATA[(Charles Kruger) (Rating: 3/5 Stars » Recommended) When the company of Tenderloin, working as an ensemble, recreates the look and feel of the city streets outside the theatre doors, the effect is uncanny. The sounds, the gestures, the body language, the dress perfectly recreate the neighborhood. This is theatre absolutely rooted in its community and [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theatrestorm.com&#038;blog=25551506&#038;post=1232&#038;subd=theatrestorm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>11th Annual Bay One Acts Festival: punking the theatre in a celebration of new work</title>
		<link>http://theatrestorm.com/2012/05/03/11th-annual-bay-one-acts-festival-punking-the-theatre-in-a-celebration-of-new-work/</link>
		<comments>http://theatrestorm.com/2012/05/03/11th-annual-bay-one-acts-festival-punking-the-theatre-in-a-celebration-of-new-work/#comments</comments>
		<pubDate>Thu, 03 May 2012 23:00:34 +0000</pubDate>
		<dc:creator>Charles Kruger</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[11th Hour Ensemble]]></category>
		<category><![CDATA[Amy Sass]]></category>
		<category><![CDATA[Bay One Acts Festival]]></category>
		<category><![CDATA[Instrumental Theatre]]></category>
		<category><![CDATA[James Mayagoita]]></category>
		<category><![CDATA[Megan Trout]]></category>
		<category><![CDATA[No Nude Men]]></category>
		<category><![CDATA[Piano Fight]]></category>
		<category><![CDATA[Playwrights Foundation]]></category>
		<category><![CDATA[Precarious Theatre]]></category>
		<category><![CDATA[Ragged Wing Theatre Ensemble]]></category>
		<category><![CDATA[Rob Ready]]></category>
		<category><![CDATA[San Francisco Theatre Pub]]></category>
		<category><![CDATA[Sleepwalkers Theatre]]></category>
		<category><![CDATA[Threshold]]></category>

		<guid isPermaLink="false">http://theatrestorm.com/?p=1221</guid>
		<description><![CDATA[(Charles Kruger) (Rating: 5/5 Stars » Outstanding) Hipsters: LISTEN UP. A couple of evenings at the Bay One Acts Festival will change everything you think you know about going to the theatre in San Francisco. Eleven companies present nine short plays in two programs. This is work you will not see at A.C.T., or The [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=theatrestorm.com&#038;blog=25551506&#038;post=1221&#038;subd=theatrestorm&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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