Review: West Coast premiere of ‘Goat Blood’ at Theatre Rhinoceros (***)
by Charlsie-Kern Kruger Pablo and Owen are work buddies and drinking buddies and on one perfectly normal night they set up a rendezvous with a couple of ladies from their local bar, but Pablo has other ideas and has arranged it so that the ladies are no-shows. Pablo, sexually…
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Review: ‘God of Carnage’ at Pear Avenue Theater (***1/2)
by Joanne Engelhardt Yasmina Reza’s award-winning play “God of Carnage” is an apt metaphor for much of what’s wrong in the world today: Lots of supposed adults act very much like 11-year-olds. Some are bullies, some fight back, some give up, and some simply complain a lot. Director…
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Review: ‘The Cottage’ At Palo Alto Players (****)
by Joanne Engelhardt There’s likely only one kind of germ you might enjoy getting — and that is a joy germ. That’s an appropriate phrase for the Palo Alto Players’ production of “The Cottage,” under the astute and memorably British direction of Katie O’Bryan Champlin. Playwright Sandy Rustin has…
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Review: ‘La Cage Aux Folles’ at Theatre Rhinoceros (***)
by Charlsie-Kern Kruger The hit French film, “La Cage aux Folles” has been around for 53 years, and Jerry Herman’s Broadway blockbuster musical adaptation opened 43 years ago. This gay-themed play about family values, self-righteous moralistic political blowhards, and fabulous drag queens predates AIDS and by today’s standards for…
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