by Charles Kruger There is no doubt that Leoš Jánaĉek’s “Jenůfa” is a great and accessible 20th century masterpiece. This accessibility is surprising, given that “Jenůfa” has few of the trappings of the most popular grand operas: there are no tuneful arias, no rousing marches, no easy to remember melodies. The score is irresistibly musical, yet gives […]