Review: A new translation of Racine’s ‘Phèdre’ at Cutting Ball (****)
by Charles Kruger The Cutting Ball Theater, which specializes in the avante garde, has a wonderful way with the classics, but rarely gives us what we expect. Their recent (superb) production of Hedda Gabler, for example, was played as a comedy. Their wonderful production of Ubu Roi of a few years ago was set mostly […]