I SEE LONDON, I SEE FRANCE, I SEE STEVE MARTIN’S “THE UNDERPANTS”. HEE HEE HEE HEE.
(Charles Kruger) A young housewife accidentally drops her panties in public, in front of the king, no less. Male witnesses are thrown into a tizzy of lustful pursuit. That’s the simple premise of Carl Stenheim‘s turn of the 20th-century farce, “The Underpants”, which Steve Martin has smirkingly adapted for contemporary audiences. Nobody gives smirk like […]